Michael Klein’s new book of poetry, then, we were still living, is a metaphysical meditation on identity through time and the search for the real amidst ghosts, memories, and illusory images. As in the artful illusions of theatre and movies, to which Klein alludes frequently, lighting can change everything in these poems—here people darken or there is an overwhelming bomb-blast of sunlight.
Love and loss seem to be the fundamental elements from which these poems originate. Klein leaves little, if anything, out of his depictions of the essential facets of a certain kind of writer’s life, the trials of a childhood filled with shame and pain, its fair share of neglect, and the realization, even if only for one ghastly instant, that your parents wished you were different from what you are. There is endless questioning of reality and identity; there is the friend with whom you committed the requisite mistake of sex; there is more sex with a true lover; there are the departed, the being haunted, and, always, the daily task and practice—writing—”where you turn the thing like art back into a gift / after it almost kills you” (“Day and paper”). . . .
The matter-of-fact tone and the all-but-absent-lyricism mark this book as of this time—the post-9/11, recession-beaten, warring, and electronically-oversaturated era. Klein speaks for those of us who are trying to decipher between what is real and what is illusion; these poems depict a speaker who is, like many of us today, trying to stay not only alive, but sentient, all the while bearing witness to the current tides of war, financial collapse, and personal loss. . . .
New review of Michael Klein’s then, we were still living
October 19, 2010 By